...at the intersection of cute and killer?
Check out today's episode of "The Rack" to find out.
Tokyo rainy season scenery
6 hours ago
"3. Fat is the new black. There's something fabulous and incredibly sexy about it." - Isaac Mizrahi

Shadowrun has enjoyed enormous fan support over the years and many of our current freelancers have come up from the fanbase. So, we’ve decided to try something different this year and give our fans the chance of contributing a little something to the official Shadowrun universe. To celebrate 20 years of Shadowrun, Catalyst Game Labs is inviting fans to submit a proposal for a fully developed, standalone adventure which will be published as an e-book. Furthermore, we’re specifically looking for proposals that play off the stories, plots, and adventures released in Shadowrun’s early years.I don't know where my adventure notes are, but I do have rather fond memories of an adventure that Jack and I co-GMed back in the day. I might just try and dust off those memories and see if I can get the requisite materials put together before the March 15th deadline**. Personally I think they ought to do this every year but that is just me.
I thought this panel was appropriate in light of President Obama's speech last night.





With Twitter, you can stay hyper-connected to your friends and always know what they're doing...Twitter puts you in control and becomes a modern antidote to information overload.
"Hey! You got your Batman in my Star Trek!"
Visit msnbc.com for Breaking News, World News, and News about the Economy
Thanks to Robert over at The Marmot's Hole who pointed out this piece from the International Herald Tribune. The article is about Sun Mu, a North Korean artist who left the DPRK* in 1998 and arrived in South Korea in 2001, and how his art speaks to the Korean condition. While I found the article somewhat interesting, what really wowed me was Sun Mu's art. My tastes in art tend to run towards the more commercial art; movie posters, illustrations, and the like. This includes propaganda posters. I LOVE me some propaganda posters! One day I hope to have the scratch to pick up some vintage Soviet or WWII propaganda posters. This brings us back to Sun Mu. When he was in North Korea, his artistic training was specifically so he could paint murals and other propaganda pieces for the government and, unsurprisingly, this shows through in his work, some of which you can view at his blog.
Initially I had something else picked out for this edition of Random Panels, however as I was catching up on my comics reading this week I stumbled across this bit of brilliance from Wonder Woman #27. While I am not as big a fan of sound effects as some, I absolutely LOVE it when they are incorporated into the art in interesting or innovative ways and this certainly qualifies.
Visit msnbc.com for Breaking News, World News, and News about the Economy
I know! Sheesh! Personally I blame the Wachowski's, Mistah J!



We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.
But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldus Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Huxley added, people are controlled by inflicting pain.
In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.
This book is about the possibility that Huxley, not Orwell, was right.